The Brodie Sword.

brodiesword
The Brodie Sword

This week we thought we’d take the chance to highlight one of the artifacts on display in our Culloden Exhibition and have chosen the Brodie Sword.

Reportedly commissioned and gifted by the Duke of Perth it is one of two swords and targes made for Prince Charles and his brother Henry. The sword would have been a symbol of power and used for display only, not as a weapon. The sword came to the Brodie family through the marriage of Elizabeth Brodie to George, 5th Duke of Gordon in 1813 with the tradition that it had been taken from the Princes baggage train after Culloden.

The sword is a basket-hilted broad sword from the 18th Century. The hilt is unmarked silver most likely of north European origin whilst the blade is German. The basket is a conventional shape outlined with rococo scrolls and is made from numerous small pieces cast in low relief and soldered together. It is highly decorative, and includes many symbols of Jacobitism, including the Medusa head.

The symbology on the basket is based on Greco/Roman mythology suggesting an intellectual owner. Symbols include two serpents forming the wrist guard for wisdom and guardianship, a lion  for royalty and a dolphin on the pommel to represent power of earth and sea.

The labrys or doubled headed axe (later used as a Fascist emblem) is a symbol of power and appears in the centre of faches (pronounced fatch-ey), a bundle of birch rods tied with a leather strappins. Faches were dipped in pitch and lit for use as a flaming torch. Their symbolic meaning is of power through unity and civilization/enlightment by force if necessary. Interestingly this is also where the term fachism comes form.

The medusa head was to strike fear into the enemy and was also a Jacobite symbol, in Greek myth if the medusas’ head was cut of the body would die but the head would continue to live, The Stuarts used this metaphor to infer that Britain would suffer without its natural head of state i.e. the Stuarts.

Hopefully, you’ve enjoyed learning a little more about this piece and you know where to come to see it in real life! As always please like, share, follow, tweet, comment and let us know if you’ve seen this sword or its brother, which is on display in Glasgow.

All the best, K & D

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The Secret Symbols of the Jacobites

In the years before the ’45, any signs of Jacobite allegiance were suppressed. Jacobites had to meet and plot in secret. Because of this, a number of secret Jacobite symbols emerged, which revealed to those ‘in the know’ who was on their side.

These symbols included:

  • The White Rose – Used on its own it symbolized the exiled King James but it could be present with one bud symbolizing Prince Charles or two symbolizing Prince Charles and his brother Henry.
  • Oak leaf and acorns – The oak was an ancient Stuart badge and an emblem of the Stuart Restoration. Charles II hid in an oak in the grounds of Boscobel House during the English Civil War, and in 1660 he wore oak leaves as he returned from exile in France to assume the throne. In a withered or ‘stricken’ form frequently with the motto ‘revirescit’ (it revives, it grows green again, it shoots again) the oak is a symbol of restoration and regeneration. Medals struck in 1689 to celebrate the coronation of William and Mary they show a dead oak or a stump together with a flourishing orange tree an obvious reference to the ancestral title of the new ruler
  • Sunflower – a symbol of loyalty as the head of a sunflower constantly follows the sun
  • Butterfly – known for its spectacular hatching from a chrysalis may symbolise hope for the Stuarts’ grand return from exile.
  • Bundles of sticks – representing strength in numbers.
  • Medusa head – the name Medusa in Greek translates as ‘protector’ or ‘guardian’
  • Thistle – representing the Stuarts’ claim to the Scottish throne. The thistle surmounted by a crown was an ancient badge of Scotland.
rose
The White Jacobite Rose

As well as symbols certain phrases were also often used on Jacobite items. “Fiat”, meaning “let it be” or “let it come to pass” and Redeat, Redi, or Revirescit, suggesting hope that the prince will return.

Due to the treasonous nature of Jacobite affiliation symbols were an important way of conveying Jacobite loyalties in a covert way. Jacobites would often drink a toast to the king ‘over the water’ in glasses encoded with these secret symbols. Often a glass of wine would be held above a bowl or glass of water as a toast to the health of the king was offered; thus literally toasting the king over the water.

Some of the earliest Jacobite glasses are the so-called ‘Amen glasses’. These are engraved with a crown, representing the Stuart kingship, and one or more verses of the Jacobite Royal Anthem – sung to the tune of ‘God Save the Queen’ – all of which conclude with the word Amen (Let it be thus). The anthem probably dates back to the time of James II, its reference to the ‘true-born Prince of Wales’ being a refutation of the rumours surrounding the legitimacy of James III’s birth.

 

amen
A Jacobite Amen Glass

Less than 40 Amen glasses are known to have survived. The majority of Amen glasses are engraved with the first two verses of the Jacobite anthem, and a smaller number with the first three or four verses. Analysis of the handwriting on genuine Amen glasses suggests that they are all the work of a single hand, and were all executed between 1743 and 1749. The artist concerned has been suggested as Scottish line-engraver Sir Robert Strange. Strange trained as an engraver in Edinburgh, joined the Jacobite army in 1745, married ardent Jacobite Isabella Lumisden in 1747 and moved to France in 1748. He returned to England in 1750 and pursued a highly successful career as an artist.

One final hidden Jacobite message which is just a little bit different. Some believe that the popular Christmas carol ‘O Come All Ye Faithful’ is actually a Jacobite call to arms. The Latin version of the carol, Adeste Fideles, celebrated not the birth of Jesus but the birth of Prince Charles Edward Stuart. It was written by John Francis Wade an English Jacobite who fled the country after the failed 1745 Rebellion. Fideles is Faithful Catholic Jacobites. Bethlehem is a common Jacobite cipher for England, and Regem Angelorum is a well-known pun on Angelorum (angels) and Anglorum (English). So ‘Come and Behold Him, Born the King of Angels’ really means, ‘Come and Behold Him, Born the King of the English’ – Bonnie Prince Charlie. The English translation was not made until 1841 by which time the Jacobite connotations had been lost.

Hopefully you’ve enjoyed this post and as always please like, share, tweet, comment, follow, reblog and raise a glass of your own to whomever your ‘king over the water’ may be.

All the best, K & D